主編序Preface from the Editor‐in‐chief
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2022.27
版權頁Copyright page
以自身的非典型創作經驗探究石雕未來的可能性Exploring the Future Possibilities of Stone Carving from My Own Atypical Creative Experience
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幾何、解剖、拓樸以及其他─臺灣當代雕塑的維度轉向Geometry, Anatomy, Topology and Beyond-Dimension Shifting of Contemporary Sculpture in Taiwan
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數位模組的想像溢位─陳永賢〈斗室棲居〉系列的時間雕塑The Imagination of Overflow in the Digital Module: Time Sculpture in Chen Yung-Hsien’s Video Series of“ In Search of Re-Habitat and Material Memory”
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在不確定的當代藝術文本中呈現藝術—以劉柏村為例Presenting Art in the Ambivalent Context of Contemporary Art: the Case of Po-Chun LIU
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書寫遺忘與闕如—林瑞珍與國立藝專雕塑科肇始時期Writing the Oblivion and Absence: Lin Jui-Chen and the Early Stage of the Department of Sculpture, National Taiwan Academy of Arts
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2022.06
目次CONTENTS
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2022.06
主編序Preface from the Editor‐in‐chief
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2021.12
主編序Preface from the Editor‐in‐chief
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